Career

QUALIFICATIONS

2003              MA Fine Art, University of Plymouth.

1994               PGCE Art, St Luke’s University of Exeter.

1983              BA (Hons) Fine Art: [Painting] ECA.

PROFESSIONAL/LECTURING

Associate Lecturer Plymouth University 2001-19 Screen-dance practice, Digital performance, Digital dance.

Lecturer BA Painting, Drawing, Printmaking, Plymouth College of Art 2014-19

Art Teacher Exeter School, Exeter UK 2001-2011

C.V.

RECENT EXHIBITIONS

2012            Oct 2012 AAF Hampstead

2013            Geneva Art Fair, Switzerland Jan

2013            Stockholm Art Fair Sweden.

2013            Tor Land Solo exhibition. Asthall Manor, Oxfordshire.

2014            Store Street Gallery London

2014            Highgate Contemporary London

2014             Rowsley gallery Derby

2015             Highgate Contemporary London.

2015             AAF London Store Street Gallery

2015            Store street gallery, London

2016             Hatch Gallery Dorset

2017            AAF London , Stockholm

2017             Store street gallery London

2017            AAF New York Store street gallery

2017             AAF London Store Street Gallery

2018            Solo show View Gallery Thames Ditton London

2018            Affordable Art Fair London, Wills Art

2018            London Contemporary Art website, featured artist.

2018            Greenstage Gallery, Worcester UK

2018            GalleryTop, Derbyshire UK

2019            AAF New York, Wills Art

2019 Singapore AAF Wills Art

2020  London Art fair [ LCA ]

WORK IN COLLECTIONS

Lloyds bank collection, 2004

University of Plymouth, Paintings and film work 2010-4

University of Exeter, Two major paintings. 2009

Jesus College, University of Cambridge, four paintings. 2010

Asthall Manor Oxford two paintings 2013

Work in private collections in Toyko, New York, Paris, Amsterdam.

PUBLICATIONS/WRITING

Co- authored Article: Enclave –  on digital technology and performance : Terpsichore Danish Dance Magazine January 2004

Co- authored Chapter : Authenticity and perception in the making of Utah Sunshine a Dance/ Arts film  in:

Sensualities/Textualities & Technologies: Writings of the Body in 21st Century Performance. Palgrave  2010

 Illustrated book containing essays ‘’Russell Frampton Paintings 2009” to accompany exhibition at Northcott Gallery University of Exeter Nov 2009

 Co Authored chapter, Blind Torrent; an exploration of unfolding textualities, somatic memory and imagined archaeology. Journal of Dance and somatic practice [May 2013]

 Film production work,  Alison Hodge  DVD and accompanying  booklet, Actor Training [Routledge]  2013

 Co- authored Chapter: Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – an interdisciplinary screendance project.  Peer reviewed, International Journal of ScreenDance  2016